The clay sculpture is a three-dimensional plastic art that can exist as an independent art form or as a method of assisting casting bronze sculptures. As a three-dimensional space art form, the sculpture has emerged from ancient times to the present. However, in any period of sculpture creation and production, clay sculpture is an indispensable and important means, and it is also the most widely used by many artists in sculpture creation.
One of the convenient creative methods. In the clay sculpture, it can give the creator more inspiration space, and it can also play a “dialectical” role for the final molding of the sculpture. The characteristics of clay sculpture easy to shape provide the sculptors of the past with repeated aesthetic arguments for their own aesthetics. The birth of the game plays a vital role.
The sculptures of ancient and modern Chinese and foreign sculptures, the vast majority of sculptures are made of clay sculpture or modern 3D printing technology, and then the transformation of sculpture materials, so that the sculpture has been passed down to the aesthetic of sculpture.
Clay sculpture is a technique that uses the characteristics of plastic, easy to change, vivid, rapid prototyping and material conversion of the soil to create and produce. In this skill, many conditions, such as technology, philosophy, and sensibility, are included, and various styles of different styles and different techniques are also produced. In the clay sculpture, regardless of style, only the art style of clay sculpture can best express the artist’s ideas.
First of all, figurative sculpture is indispensable in the process of creation. If there is no final shape of the clay sculpture, it is not foreseeable. Rodin’s “Calli People” is the most vivid display of clay sculptures. Ultra-realistic sculptures are based on clay sculpture. In 1970, Dunn Hansen’s “Traveler” with polyester resin decoration was a good illustration.
Secondly, the abstract sculpture shape also uses clay sculpture more or less. Of course, it is not the only means. According to the characteristics of the shape, it can better express the author’s intention. 1966 “Golden Ghost” welded by Bill Metal does not require clay sculpture to be molded, and the production of clay sculpture can not bring a more direct expression to this sculpture.
Finally, it is the image sculpture shape, which is similar to the production of abstract sculptures. It can be molded with clay sculptures, and it also depends on the modeling needs of the sculpture itself. In 1913, Umberto Puccini bronze cast “the unique form of space continuity” in the main factors of human shape, but abandoned many of the structural characteristics of the human body, such an image must be muddy plastic.
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