Mitoraj was deeply devoted to his work and he continued to exhibit until the end of his life. The concept of broken beauty was the muse of his lifetime, the center of his entire art world. My work is an example of this dichotomy. It is a perfect charming piece charmed by the broken imperfections. Mitoraj has cleverly described the final stages of the creative process.
His work includes a unique nostalgic appeal that unites the harsh antique traditions and the dark rot of post-modernism. Mitrage opened his first solo exhibition at the Kuzistofori Museum in Krakow in 1967. A year ago to immigrate to Paris to study at the National Gallery of Paris.
“I started with painting, but I felt the constant need of third dimensional,” he said. Marble and bronze are the main ingredients and the Mitoraj the bust and head derived from a recognizable mythological theme such as Eros, Venus and Icarus.
His work, which is published frequently on a large scale, resembles a sculpture or an object that is weary of time and suffering. “The idea of beauty is vague. It is a double-edged sword that causes pain and suffering that is easy to injure you, “Mitoraj says. “My art is an example of this dichotomy. Tied to a broken imperfection is a perfect and fascinating thing.
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